"Vehicles of creative power (portrait of the artist between hips and hands)" by Rachel Rosenfeld-Dlatt
Oil and marble dust on Belgian linen
24’’ by 20’’
$2800
I live in a broken body. My bones are riddled with healed fractures and surgical anchors, my knees and ankles are dotted with stitch-scars, and my arms are bruised from hundreds of blood-draws at my IVF clinic. What is left to celebrate in such a damaged body? "Vehicles of creative power (portrait of the artist between hips and hands)" and "Dance on healing legs" are testaments to the inherent value of my flawed body. I wanted to emphasize the power of hands that can paint and feet that dance without hiding the pudgy hips and thick thighs that are attached to them.
Oil and marble dust on Belgian linen
24’’ by 20’’
$2800
I live in a broken body. My bones are riddled with healed fractures and surgical anchors, my knees and ankles are dotted with stitch-scars, and my arms are bruised from hundreds of blood-draws at my IVF clinic. What is left to celebrate in such a damaged body? "Vehicles of creative power (portrait of the artist between hips and hands)" and "Dance on healing legs" are testaments to the inherent value of my flawed body. I wanted to emphasize the power of hands that can paint and feet that dance without hiding the pudgy hips and thick thighs that are attached to them.
Oil and marble dust on Belgian linen
24’’ by 20’’
$2800
I live in a broken body. My bones are riddled with healed fractures and surgical anchors, my knees and ankles are dotted with stitch-scars, and my arms are bruised from hundreds of blood-draws at my IVF clinic. What is left to celebrate in such a damaged body? "Vehicles of creative power (portrait of the artist between hips and hands)" and "Dance on healing legs" are testaments to the inherent value of my flawed body. I wanted to emphasize the power of hands that can paint and feet that dance without hiding the pudgy hips and thick thighs that are attached to them.