"Flower Fields" by Michelle Feinberg
What began as a way to navigate grief has become a powerful force in my life. After losing my brother, I turned to painting not for the final product, but for the process itself. Each brushstroke became a release, a response, a way of making sense of the chaos. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds.
What began as a way to navigate grief has become a powerful force in my life. After losing my brother, I turned to painting not for the final product, but for the process itself. Each brushstroke became a release, a response, a way of making sense of the chaos. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds.
What began as a way to navigate grief has become a powerful force in my life. After losing my brother, I turned to painting not for the final product, but for the process itself. Each brushstroke became a release, a response, a way of making sense of the chaos. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds. My approach shifts with emotion. Early works were chaotic, raw, and cathartic—paint flung in grief’s grip. As I moved through anger and pain, I found release in lyrical abstraction, allowing intuition to guide me. In quieter moments, I turn to geometric abstracts and landscapes, where structure offers focus, clarity, and calm. I love to dive into abstract landscapes and cityscapes—where emotional memory and environment meet. These imagined spaces allow me to express mood through form, color, and rhythm, offering viewers a view into both inner and outer worlds.