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The Chicago Fine Art Salon
The Collection
New Gallery
M.I.A.R.
Member's Gallery
Fresh Terrain
Small Works
Calls for Art
Calls for Art
Saturation Submission Form
Call for Prints Submission Form
miar. Installation Submission Form
Classes
Art Club
About Us
Our Team
Past Events
Blog
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Folder: The Collection
Back
New Gallery
M.I.A.R.
Member's Gallery
Fresh Terrain
Small Works
Folder: Calls for Art
Back
Calls for Art
Saturation Submission Form
Call for Prints Submission Form
miar. Installation Submission Form
Classes
Art Club
Folder: About Us
Back
Our Team
Past Events
Blog
Small Works "Early Evening" by Catherine Daniels
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"Early Evening" by Catherine Daniels

$520.00
Only 1 available

Cold Wax and Oil

14’’ by 14’’

My body of work focuses on semi-abstracted landscapes, with an emphasis on color relationships that are used to create a dream-like feeling. To create this mood, I work with subtle or toned-down colors, and layer-upon-layer of cold wax and oil for texture, intermixed with Galkyd, which adds luminosity. Often, these pieces, on wood panels, will contain 20 or more layers, varying between thin glazes and thick wax applied with a palette knife. Attention to color relationships, in order to create harmony, continues to remain a focus of all my paintings. Influences include: my teacher and mentor, Janis Pozzi-Johnson, J.W. Turner, Claude Monet, Joan Mitchell, Gerhard Richter, Willem de Kooning, Lee Krasner, and my grandfather, Albert Dierberger.

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Cold Wax and Oil

14’’ by 14’’

My body of work focuses on semi-abstracted landscapes, with an emphasis on color relationships that are used to create a dream-like feeling. To create this mood, I work with subtle or toned-down colors, and layer-upon-layer of cold wax and oil for texture, intermixed with Galkyd, which adds luminosity. Often, these pieces, on wood panels, will contain 20 or more layers, varying between thin glazes and thick wax applied with a palette knife. Attention to color relationships, in order to create harmony, continues to remain a focus of all my paintings. Influences include: my teacher and mentor, Janis Pozzi-Johnson, J.W. Turner, Claude Monet, Joan Mitchell, Gerhard Richter, Willem de Kooning, Lee Krasner, and my grandfather, Albert Dierberger.

Cold Wax and Oil

14’’ by 14’’

My body of work focuses on semi-abstracted landscapes, with an emphasis on color relationships that are used to create a dream-like feeling. To create this mood, I work with subtle or toned-down colors, and layer-upon-layer of cold wax and oil for texture, intermixed with Galkyd, which adds luminosity. Often, these pieces, on wood panels, will contain 20 or more layers, varying between thin glazes and thick wax applied with a palette knife. Attention to color relationships, in order to create harmony, continues to remain a focus of all my paintings. Influences include: my teacher and mentor, Janis Pozzi-Johnson, J.W. Turner, Claude Monet, Joan Mitchell, Gerhard Richter, Willem de Kooning, Lee Krasner, and my grandfather, Albert Dierberger.

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