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The Chicago Fine Art Salon
The Collection
New Gallery
M.I.A.R.
Member's Gallery
Fresh Terrain
Small Works
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Calls for Art
Saturation Submission Form
Call for Prints Submission Form
miar. Installation Submission Form
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Blog
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Folder: The Collection
Back
New Gallery
M.I.A.R.
Member's Gallery
Fresh Terrain
Small Works
Folder: Calls for Art
Back
Calls for Art
Saturation Submission Form
Call for Prints Submission Form
miar. Installation Submission Form
Classes
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Folder: About Us
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Small Works "Woman Revisited" by Anna Lipscomb
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alienboob_woman.JPG

"Woman Revisited" by Anna Lipscomb

$1,500.00
Only 1 available

Polymer Clay

6”x 5” x 4”

Woman Revisited is a reimagining of a sculpture I first made over a decade ago. This new work reflects not only my growth as an artist, but a deeper, more complex understanding of womanhood, embodiment, and the politics of visibility. The original 2013 piece, Wo-man, featured the same arched posture but with intentional indented voids where breasts and genitals would be. Faceless and abstracted, it mirrored how I felt at the time: to be seen as a woman first and a person second; a prefix. Woman Revisited reclaims presence. The figure has a fully formed face, uneven breasts, and a visible vulva. Its four limbs appear as fingers rather than legs, suggesting bodily ambiguity and challenging fixed notions of gender, species, and form. Informed by posthumanist and feminist theory, this work resists categorization and embraces fluidity. It questions how bodies are read, how femininity is assigned, and how agency can be reclaimed through transformation rather than simplification.

Add To Cart

Polymer Clay

6”x 5” x 4”

Woman Revisited is a reimagining of a sculpture I first made over a decade ago. This new work reflects not only my growth as an artist, but a deeper, more complex understanding of womanhood, embodiment, and the politics of visibility. The original 2013 piece, Wo-man, featured the same arched posture but with intentional indented voids where breasts and genitals would be. Faceless and abstracted, it mirrored how I felt at the time: to be seen as a woman first and a person second; a prefix. Woman Revisited reclaims presence. The figure has a fully formed face, uneven breasts, and a visible vulva. Its four limbs appear as fingers rather than legs, suggesting bodily ambiguity and challenging fixed notions of gender, species, and form. Informed by posthumanist and feminist theory, this work resists categorization and embraces fluidity. It questions how bodies are read, how femininity is assigned, and how agency can be reclaimed through transformation rather than simplification.

Polymer Clay

6”x 5” x 4”

Woman Revisited is a reimagining of a sculpture I first made over a decade ago. This new work reflects not only my growth as an artist, but a deeper, more complex understanding of womanhood, embodiment, and the politics of visibility. The original 2013 piece, Wo-man, featured the same arched posture but with intentional indented voids where breasts and genitals would be. Faceless and abstracted, it mirrored how I felt at the time: to be seen as a woman first and a person second; a prefix. Woman Revisited reclaims presence. The figure has a fully formed face, uneven breasts, and a visible vulva. Its four limbs appear as fingers rather than legs, suggesting bodily ambiguity and challenging fixed notions of gender, species, and form. Informed by posthumanist and feminist theory, this work resists categorization and embraces fluidity. It questions how bodies are read, how femininity is assigned, and how agency can be reclaimed through transformation rather than simplification.

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